German Romantic Painter, 1777-1810 ..German painter, draughtsman and theorist. He stands alongside Caspar David Friedrich as a leading figure in German Romantic painting even though his early death restricted his oeuvre to relatively few stages of development. The enduring prominence of philosophical and theoretical concerns suggests that further work would have contributed to the history of ideas as well as to that of art. Runge's greatest influence was on later, largely 20th-century artists and thinkers rather than on his immediate contemporaries. While 19th-century developments certainly bore out Runge's claim for a new, symbolic role for landscape,  Related Paintings of Philipp Otto Runge :. | The Morning | The Small Morning | Morning (first version) (mk09) | Portrait of Friedrich August von Klinkowstrom | Morning |
Related Artists:
magdalene margrethe barens
Magdalene Margrethe Bärens, född 1737, död 1808, var en dansk konstnär; hon blev den första kvinnliga konstnären i Danmark som valdes in i den danska konstakademin år 1780. Hon var en av de få kvinnliga konstnärerna kända i Skandinavien före 1800-talet, tillsammans med Ulrika Pasch i Sverige och Helena Arnell i Finland. I Danmark var även Johanne Marie Fosie känd under samma tid.
Joseph Heintz
1564-1609 Swiss Painter, draughtsman, architect and artistic adviser, son of Daniel Heintz. He began his training as a painter c. 1579 with Hans Bock I (c. 1550-c. 1623) in Basle. His first surviving drawings (1580) show something akin to Holbein manner in his stained-glass window designs. After completing his apprenticeship he went c. 1584 to Rome, where he studied the works of antiquity, and those of Raphael, Michelangelo, Polidoro da Caravaggio and others. In 1587 he went via Florence to Venice, absorbing the works of Tintoretto, Titian and Veronese. In autumn 1591 the Holy Roman Emperor Rudolf II summoned him as portraitist and court painter to Prague but soon sent him back to Italy, where he drew ancient statues in addition to producing his own work and acting as art agent for the Emperor. In 1592-5 he stayed mainly in Rome, then returned to Prague. In the following years he worked indefatigably as a draughtsman, painter, architect and artistic adviser, moving between Augsburg and Prague.
BEGA, Cornelis
Dutch Baroque Era Painter, ca.1620-1664 Dutch painter, draughtsman and etcher. He was born into prosperous circumstances; his mother, Maria Cornelis, inherited half the estate (gold, silver, paintings, drawings and prints) and all of the red chalk drawings of her father, Cornelis Cornelisz. van Haarlem, a renowned Mannerist artist. Bega's father was Pieter Jansz. Begijn (d 1648), a gold- and silversmith. Like other family members, Bega was probably Catholic. Houbraken's claim that Bega studied with Adriaen van Ostade is likely to be correct; this was probably before 24 April 1653, when Bega joined Vincent Laurentsz. van der Vinne in Frankfurt for a journey through Germany, Switzerland and France. Bega had returned to Haarlem by 1 September 1654, at which time he joined the Guild of St Luke.